The book
contains 200 of Falcon’s drawings, now in the hands of public bodies for
posterity, and the bulk of them record the industrial heritage of Blaenau
Ffestiniog, Falcon’s home for over forty years.
In the
course of the book I learnt a lot about his life: how he got the impressive name of Falcon; how he came to move from
Grimsby to Coventry, to London and eventually to Blaenau Ffestiniog; his bold
decision to give up job security to follow his calling. I loved the drawing he
sent to his mother depicting the layout of his bedsit in Putney during the
times when he designed, amongst other things, first class bars and cabins for
cruise liners.
Within the
book there are many favourite drawings for me including the series depicting Tŷ
Uncorn, the one chimney house with four tiny cottages sharing a central
chimney. Was this a pioneering attempt at central heating? I like knowing what
it looks like inside as I walk past it near the police station.
The final
chapter is written by Falcon and titled ‘My Working Process’. On the last page he
talks about the drawings made in other industrial towns in which the buildings
have long since been demolished or renovated. ....’After half a century of recording, I believe that Blaenau Ffestiniog
and its landscape are the best and most complete surviving industrial landscape
in Britain’ .... ‘I feel we should save one example of a nineteenth-century
industrial town as a complete cultural and historic entity. So my final message
is: if you like my pictures, then please take care of the subject that inspired
them.’
And so we
should. As for the book, not only do I recommend it, I suggest you get three
copies. One for cutting out and framing images on left hand pages, another for
the right hand pages and the third for a good read.
I was buying a copy for a neighbour in a local bookshop yesterday and they are going like hot cakes. Someone had just bought six copies!
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